Warrior Girls in Sci Fi — Too Bad-Ass to Believe?


I’m not the only one dissing the new Star Wars. Gavin McInnes has some pointed criticism, and he said it so well, I’m jealous. For those of you who don’t know him, he’s the Canadian expat writer who co-founded Vice Magazine and appears on the Fox News show “Red Eye.” In a recent article  at Taki’s Magazine, he argues that The Force Awakens is part of the anti-white-male propaganda currently infesting pop culture. It’s the phenomenon that portrays TV dads as bumbling idiots while their wives hold everything together. I’m not going to argue that point, rather, I’ll discuss a related issue: the ascendancy of the kick-ass female in science fiction.

McInnes writes that he can only stand the feminist nonsense in movies by looking for the chinks in the armor, the rare times where traditional values are affirmed, or a man is portrayed in a positive way.For example, Luke Skywalker, a white male, seems like a Christ figure when he appears at the end of The Force. My strategy is different. I short-circuit the propaganda by being a sexist fan-boy (though, given my age, I should probably say “dirty old man.”) That’s because nerds like myself find the take-charge female warriors of sci-fi to be totally hot. If you don’t get it, watch a few episodes of “The Big Bang Theory,” where some of the actresses I list below make guest appearances.

My favorite kick-ass sex symbol is River Tam (played by Summer Glau) from the “Firefly” series. In the movie Serenity, she dispatches a room full of reavers (bloodthirsty space cannibals) all by herself. We accept this, because she’s a mutant genius, an emotionally-damaged victim of secret government experiments. Another is Kara “Starbuck” Thrace (Katee Sackhof), the whiskey-drinking blonde fighter pilot in “Battlestar Galactica.” Then there’s Sigourney Weaver as Ripley, who climbs into a robotic loader exosuit to battle the alien queen in Aliens, with the ferocity of a mama bear protecting her cub. Probably the best is recent years is Jennifer Lawrence as Katniss Everdeen, who looks fantastic in both her “flaming” evening gown and her Hunger Games battle gear. If I were Peeta, I wouldn’t have wasted the last minutes of the movie snuggling. The trilogy’s biggest sin was to have such a wimp be married to the warrior goddess.

Bad-ass as these warrior girls are, they all have weaknesses and vulnerabilities, which makes them seem real enough to be sympathetic. That’s something that Rey (played by Daisey Ridley) lacks, which was my biggest problem with her character. Everything just comes too easily for her. As a consequence she’s more annoying than appealing, despite her fresh-faced athletic looks. The worst serial offender is Angelina Jolie, whose action-move-heroine roles frequently cross over into the ridiculous. It doesn’t help that Jolie’s body is too damned perfect, with her economy-sized lips and breasts. Remember the wet suit in Lara Croft : Tomb Raider that somehow manages not to flatten out, but to accentuate those awe-inspiring mammaries? I guess Croft is so tough that she doesn’t mind the added drag while swimming.

Sexual fantasies aside, it’s all about creating a good story with interesting characters, not about following some formula, whether feminist or traditionalist. Warrior girls need more than their good looks and killer moves to make them interesting. They need to be people we actually care about.

Calling All Space Cowboys

The Western genre, so popular in my youth, has fallen out of favor in recent years. It survives mainly in “shoot ’em up” video games like Red Dead Redemption. Yet it has had a lasting influence on other genres, especially science fiction. Though despised by sci fi purists, so-called “space westerns” have attracted legions of fans.

Combining sci fi and westerns seems like a weird idea until you consider the historical context. The 1950’s were in many ways a “coming of age” for the science fiction genre, arguably being the latter half of its “Golden Age.” At the same time, cowboys were everywhere in the popular culture. It’s only natural that there was some cross-pollination. Also, when there’s a high demand for any type of fiction, the market is bound to attract lots of hack writers. People will think, why not combine the two genres and make it even more popular? That’s probably why space westerns have such a bad rap. Galaxy Science Fiction magazine satirized them in a 1950’s ad campaign for an imaginary series based on a character called “Bat Durston,” a name which still pops up in sci fi circles.

Two sci fi TV shows, both which generated their own cult followings, proved Galaxy to be wrong. One was the Japanese animation Cowboy Bebop (1999); the other was Joss Whedon’s Firefly (2002.) Both combined space exploration and western themes artfully and both, unfortunately, lasted just a single season. Older fans often mention Wild Wild West (1965-69) which has its own enduring following, especially among steampunks. This one, however, being a historical adventure series with sci fi elements, does not fit the “space western” description, being more properly called a “sci fi western.” All three of these series demonstrate that combining disparate elements can create good fiction.

When you look beyond the disparity in settings, sci fi and western fiction have a lot in common. The two genres are dominated by American writers and publishers. Both feature characters and plots which espouse the American themes of individualism, self-reliance, and justice. Both have an element of the frontier, with its central conflict of man against nature. There is a strong element of escapism in the two genres.

The purists are free continue to judge space westerns harshly. If so, they are missing out on some very creative and original work. The rest of us will continue to ignore their opinion. In closing, I’ll quote the ending screen from Cowboy Bebop: “See you space cowboy.”