Review, Book of Mormon (The Show, That Is!)

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When I heard that Matt Stone and Trey Parker of South Park fame were doing a musical comedy based on the Book of Mormon, I had high expectations. This week I finally saw the show, and they did not disappoint me.For those who don’t know, the play is the story of two American Mormon missionaries who are sent to Uganda. One is a narcissistic over-achiever, the other an Asperger-ish compulsive liar. This, combined with the hellish conditions and cynical inhabitants of the village they’re sent to, makes for some very hilarious and un-PC hijinks.

It’s interesting, when you’ve been listening to the sound track for a long time, to see what the actual show is like. I ended up going twice, because my girlfriend Arlys’ employer changed the date of a conference we’d been planning around. Rather than trying to sell the original tickets and risk not seeing it at all, we bought two more. On Tuesday night I saw it with family, and on Thursday with Arlys. Both times it was fantastic, with top-notch acting, singing and dancing. Seeing it a second time was an opportunity to notice the details and laugh at the jokes I’d missed the first time. Not that I’d have gone twice otherwise, because even high in the second balcony, the tickets weren’t cheap.

I realize that all traveling Broadway shows are pricey these days. It’s just a shame that when a show appears on a college campus (the Gammage at ASU) that the students can’t afford to see it. My son, an ASU freshman, was one of the lucky ones. I didn’t notice too many other people his age when we were there. In any case, the performers all did an excellent job and deserved to be well paid. They were accompanied by a top-notch live orchestra. It’s worth noting that Parker and Stone are among the world’s richest comedy writers (at least, according to one of those Internet “top ten” lists.) I sure wouldn’t complain as the money rolled in.

The Book of Mormon is probably the most politically incorrect musical to ever win nine Tony awards. Besides plenty of vulgar language, it lampoons a major religion, albeit a religion that’s overwhelmingly white and conservative. It gets an equal amount of comedic mileage from the horrible problems of modern Africa – war, famine, AIDS, and female genital mutilation. To the writers’ credit, they didn’t throw in any lines that blamed this on the white man. They did, however, have the African characters complain that foreign missionaries would tell them lovely stories and then leave without fixing anything. The part about an insane general trying to force circumcision upon helpless women was probably furthest from reality. From what I’ve heard, African women are usually the ones who are the most adamant about subjecting their daughters to this barbaric practice.

It was fascinating how much actual Mormon / Latter Day Saints doctrine made its way into the show. The opening historical background sequences reminded me of time long ago when I went to the visitors’ center of the Mormon Tabernacle in Salt Lake City (or Sal Tlay Ka Siti, as the Africans call it.) Of course, it’s all presented in a satirical, cartoonish fashion. My favorite song is “I Believe,” in which Elder Price begins by singing about the standard Christian dogma we all know – that God created the universe, that Jesus died for our sins, that there’s some good in everyone. He continues with the more unusual Mormon beliefs – that ancient Jews sailed to America, that God lives on a planet called Kolob, and that in 1978, God “changed his mind about black people.” Another of the best musical numbers had the sci-fi obsessed Elder Cunningham being chastised by Joseph Smith, Lt. Uhura, hobbits, and Yoda.

I’ve heard very little about LDS reaction on the show, which seems to portray Mormons as well-intentioned but bumbling do-gooders. When I first heard of the show a few years ago, the reviewers claimed that it was popular among younger Mormons, though I personally don’t have any close friends in the church I’d feel comfortable about asking. I definitely wouldn’t recommend the show to anybody who’s offended by profanity, sexual humor, or mockery of religion. To everyone else I say, for Christ’s sake, see it!

(Picture of Salt Lake Assembly hall is from Wikimedia Commons.)

 

 

Calling All Free Speech Warriors!

Signing-Constitution-of-United-States

Those of you who’ve been following the #Gamergate and Hugo Award controversies are no doubt familiar with the term Social Justice Warrior, or SJW for short. SJW’s are the folks who are easily offended by perceived instances of racism, sexism and homophobia, and relentlessly push for everything to be perfectly diverse and fair. I wish them no ill will, and they have a right to their opinion, but I reject it emphatically!

SJW’s are victims of magical thinking. They seem to believe that if only we use the right euphemisms, the pain of being black, gay, transgendered, or handicapped will go away, and the world will be filled with sunbeams, rainbows and unicorns. Conversely, a dirty joke or a naked picture is like the curse of the Dark Lord, spreading rape, domestic violence, and female genital mutilation in its wake. SJW’s focus on superficial, legalistic “solutions” as opposed to actually doing something to help the victims of discrimination, violence,or other misfortunes help themselves. Mollycoddling the officially designated “victims” with talk of “trigger warnings” and “micro-aggressions” helps no one.

At best, the SJW’s obsession with political correctness is a distraction from real issues. At worst, it’s an invitation to any tyrant who can mouth the right platitudes.

It’s not that I’m opposed to social justice, depending upon your definition of the term. To me, it means equality under the law, tolerance of different ethnicities, viewpoints, and faiths, and the freedom to pursue economic opportunity. However, it’s no justice at all if the welfare of the individual must be sacrificed to the collective. That’s why I hate the idea of favoritism in hiring (dishonestly called “diversity”), or hysterical, overwrought reactions to trivial offenses. A case in point is the silly controversy over Sir Tim Hunt‘s innocent remarks about women in science. You may or may not have found them funny, but the man didn’t deserve to be hounded out of his job over them! As a Nobel prize winner in medicine, Hunt’s contributions to society outweigh all the kvetching of all the world’s armchair feminists. Advancing human knowledge is both social and just!

This is why I’m declaring myself to be an FSW, or free speech warrior and First Amendment absolutist. All opinions, no matter how repugnant, deserve to be protected. Even Neo-nazis, Holocaust deniers, ISIS supporters and Westboro Baptists should be able to speak without fear of prosecution. As my favorite radio host John Holmberg has put it, “We need to know who the crazies are!”

So join me, Free Speech Warriors! You have nothing to lose but your self-censorship!

Illustration: Scene at the Signing of the Constitution of the United States by Howard Chandler Christy (1873-1952)

Building the Future: China Homesteads the Sea

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In the wake of the controversy over Russia’s intervention in Syria, many of you may have overlooked the controversial events in the South China sea. As usual, our overlords on the Potomac are outraged whenever anybody anywhere takes the initiative without saying “Uncle may I?” The corporate media echoes their allegations that China is a horrible aggressor for reclaiming reefs to create island bases. Not so; China’s island-building is not only justified, it’s awesome!

Normally I don’t support anything governments do, which mostly involves killing people and breaking things. Even when in their constructive mode, they use resources stolen from the people by taxation. Sometimes, however, they create things impressive enough to almost make us forget that: the Pyramids, the Great Wall of China, the Netherlands’ dikes and polders, the Trans-Siberian railway, the International Space Station, and the Suez and Panama Canals. These are astonishing feats of human endeavor, even if some of them used slave labor or forced peasants from their homes.

China’s man-made islands are similarly impressive, and more compatible with libertarianism than many of the other examples. As John Locke advocated, the Chinese are mixing labor with nature to create property. Several Asian nations claim the Spratly Islands, but only the Chinese have done anything significant with them,

The fact that China’s actions are self-interested doesn’t make them wrong. They’ve created several thousand acres of new territory, always helpful for an overpopulated country. Secondly, they’ve established a claim to the surrounding seas for future extraction of oil and gas. Most importantly, they’re building bases to safeguard the free movement of goods through these strategic sea lanes. Washington’s claim that this threatens freedom of the seas is Orwellian nonsense, because only the US habitually slaps blockades, embargoes and sanctions on countries that defy its dictates. China depends on trade for its survival; these bases are a kind of insurance policy.

Contrast China’s activities in the Spratlys to similar projects by America. On Diego Garcia, a remote island in the Indian Ocean, the US built a massive military installation and expelled the entire native population. In the US Territory of Guam, the Pentagon blocks the Guamanians’ requests for increased autonomy. The natives mustn’t have a say in the scope of military operations on their islands.

Furthermore, if China’s claim to the Spratly reefs is recognized internationally, private projects might fare better in the future. In 1972, a group of American investors tried to establish a libertarian nation on the Minerva Reefs in the Pacific, but the neighboring Kingdom of Tonga invaded and stole the fruits of their labor. Hopefully China’s actions will also weaken the Communistic “Law of the Sea” treaty, which restricts development by defining the oceans as “the common heritage of mankind.” Finally, if humans are ever going to colonize the asteroids or terraform Mars, we need to start somewhere. As the proverb goes, even the longest journey begins with a single step.

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The accompanying picture is from http://slide.mil.news.sina.com.cn and shows personnel on Fiery Cross Reef AKA Yongshu Island. Here’s an unrelated question for you military folks out there: though the female sailors look adorable in their blue camouflage uniforms, what’s the purpose? People don’t fight battles in the water, except as“frog men” (or should I say “frog persons?”)

Sources: zerohedge.com, wikipedia.org and heritage.org. Image at the start of the article is a LANDSAT-7 image of Fiery Cross, from April 2000. How things have changed!

 

Time to Abolish Reality?

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I’m a writer of fiction, which means I spend a lot of time inventing scenarios that aren’t real. I also like to think that I’m good at distinguishing an actual news stories from a hoax. Occasionally I’m fooled, because reality itself has become strange – such as the story of a kid being expelled from school for doing PHP, which the administrators didn’t realize was a programming language. Thankfully, that was a hoax. Two days ago, for the first time, I was taken in by a story that appeared to be straight out of The Onion, but was actually real.

It appeared on Alex Jones’ infowars.com, a site well known for conspiracy theories and making innocuous events seem menacing. The headline was “Trannies want you to say ‘birthing individuals’ instead of ‘pregnant women.’” The gist of the article was that LGBT activists had persuaded the Midwives Alliance of North America to adopt politically correct language (such as ‘pregnant people’ instead of ‘mothers’) on their website. A group of midwives complained about this in an open letter, and a transsexual activist in turn accused them of ‘trans hatred.’

I was flabbergasted to discover the story was no exaggeration, but 100% real. The MANA website does indeed contain this bizarre PC language, and I quickly found a post by Trevor MacDonald on the Huff Post Parents blog, called “Transphobia in the Midwifery Community.” Mr. MacDonald, as a parent, don’t you have better things to do?

Being a conspiracy buff, I tend to see everything as connected. Mr MacDonald’s rantings bring to mind one of my favorite topics, magical thinking. Perhaps because we humans are the only animals with language, we ascribe to it more power than it actually has. This is why the ancient Hebrews considered the ‘name of God’ to have immense power; thus they mandated death by stoning for anyone uttering it casually. Likewise, Muslims see the Koran as being more than the message contained on its pages; therefore its ‘desecration’ will provoke violent protests. Millions of people seem to live in a Harry Potter world, where uttering the name ‘Voldemort’ will bring the Dark Lord to their door.

Such beliefs aren’t confined to the religious. Our society is awash with secular ‘social justice’ activists who flip out over mere words. Conservatives see this as the influence of Antonio Gramsci, a Marxist theorist who advocated promoting revolution by attacking the cultural foundations of society. That may be so, however, I blame the Sapir-Whorf Hypothesis.

Sapir and Whorf were two linguists who never actually collaborated. Their ‘hypothesis’ is the idea of linguistic relativity, that a language determines the way its speakers experience the world. Benjamin Whorf is best known for his study of the Hopi language, in which he speculated that its lack of past tense verbs influenced the way its speakers experienced time. This idea was all the rage in the psychedelic 1960’s. It was the basis for Robert Heinlein’s 1961 novel Stranger in a Strange Land, in which the lone survivor of a Mars expedition is discovered, having been raised by the spirits of deceased Martians. His knowledge of the Martian language gives him a special view of the universe, as well as psychic powers. As much as I enjoyed the book, it was, alas, fiction. Even Whorf’s theories appear to have fallen out of favor in the linguistic community.

In other words, though language may influence our view of the world, it can’t change reality. Wishing for something won’t make it so. Even surgery can’t change biology. Woman can have babies; men can’t. If the facts of life intrude on someone’s fragile self-concept, that’s unfortunate.

Transsexuals have more serious issues to confront than ‘transphobic’ speech. A 2013 survey found straight Americans to be more accepting of gays and lesbians that they are of transsexuals. Perhaps it’s squeamishness; the thought of a man having his genitalia removed makes many of us cringe. Despite having these feelings myself, I support transsexuals in their personal struggles.The transsexuals I’ve met seem to just want to be accepted for who they are.

On the other hand, if I were an evil doctor bent on destroying the LGBT movement, I would secretly promote the social justice warrior mentality. Nothing scares the straight world more than outsiders who want to ‘corrupt’ their children and forcibly change their lifestyles. This is why Americans perceive ISIS/ISIL as such a threat, and why many people suspect it to a gigantic psy-op – evil, murderous and barbaric, but a psy-op nonetheless.

Yes, I support the LGBT community’s quest for acceptance and equality. But attacking the straight world for being straight is not the way to accomplish that.

Illustration is “Cinny Bun System” by Thunder Falcon on publicdomainpictures.net.

 

Fidelio’s Automata is now in print!

To prove this site is not just about sedition, but sci-fi as well, I’m announcing the release of the print edition of my new book Fidelio’s Automata, To celebrate, I’m having a sale on Amazon. The e-book versions of Fidelio, as well as my previous book Centrifugal Force, will be available for $0.99, starting Sunday for four days only!

Many of the low-priced books on Amazon are not much more than pamphlets, for which 99 cents is an appropriate price. Less than a buck is a real bargain for a 300-page steampunk adventure. Escape to the America of 1901 – an exciting time when technology was transforming the world. It was the era of the innovators: Thomas Edison, Alexander Graham Bell, the Wright Brothers, and many others. As one would expect from the genre, in this alternate history things turn out a bit differently.

Fidelio Espinoza, a brilliant and idealistic young Cuban, arrives in the United States with the goal of perfecting his spider automaton, a machine that will free humans from the dangerous, backbreaking work of mines and factories. Here he meets Hank, a cowboy turned Quaker who has vowed to atone for his sinful past, in particular, his participation in the recent war with Spain.

Despite all the progress and social upheaval of the Gilded Age, this is a time when Fidelio, a gay man, must hide his true nature or risk ostracism or worse. For the devout Hank their friendship poses a dilemma: should he respond with judgment or acceptance?

After a prototype of Fidelio’s creation falls into the wrong hands, he and Hank join forces with eccentric genius Nikola Tesla to prevent this creation from being used in the service of oppression.

Remember, Remember

“Remember, remember, the fifth of November and the gunpowder treason and plot.”

– English nursery rhyme

Today is Guy Fawkes Day in the United Kingdom, which commemorates the 1605 discovery of a plot by Roman Catholic rebels to blow up the British Parliament building. It is traditionally celebrated with fireworks, bonfires, and the burning of effigies of the infamous traitor. In the modern world, Guy Fawkes and his day have taken on a new significance as symbols of the rejection of authority.

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One of the staples of the November 5th celebration is the Guy Fawkes mask, which is now recognized around the world, ever since it figured prominently in the 2006 film V for Vendetta. Based on a graphic novel written by Alan Moore and illustrated by David Lloyd, the movie featured a mysterious rebel who fights the fascist government of a post-nuclear-war Britain. The character “V” wears the Fawkes mask to hide his identity, and possibly also to hide the effects of horrific government experimentation he had suffered previously.

The movie was tremendously popular in America, where fans drew parallels between its fictional neo-Nazi government and the war-obsessed surveillance state of George W. Bush. Guy Fawkes was quickly adopted by both libertarians and left-wing radicals as a symbol for anti-government protests. The Internet hacker group Anonymous wore the mask in protests against the Church of Scientology in 2008. The mask also appeared in the Occupy Wall Street protests and in Egyptian protests during the 2011 Arab Spring.

Guy Fawkes Day was also the occasion of the first “money bomb,” a new kind of unofficial political fundraiser, invented by grassroots libertarians to aid the 2008 Ron Paul Presidential campaign. It was a call for as many people as possible to donate money on that day, as a special show of support. The day was an appropriate metaphor for the word, since Fawkes and his cohorts meant to literally bomb the House of Lords. But it also drew fire from neo-conservative detractors of Dr. Paul, who claimed that the choice of day was an endorsement of terrorism. I would argue that Fawkes was not a terrorist, but a would-be assassin, since his plot targeted not civilians but enemy politicians. Still, the connotation of violence was problematic for those lacking a sense of humor.

It’s easy to see why the Fawkes mask became associated with rebellion after its use in V for Vendetta. The reasoning behind Moore’s choice of the Guy Fawkes theme is not so straightforward. He meant the character V to be morally ambiguous, possibly a hero, or maybe a madman. The historical Fawkes was a suitably complex character, and was no angel, though not quite a demon either. He plotted the violent deaths of hundreds, though at least he targeted his enemies in government rather than innocent civilians. He fought the tyrannical rule of King James I, whose discriminatory laws made life hellish for English Catholics. If the plot had succeeded, however, the rebels would have imposed a Catholic monarch who likely would have been just as oppressive to Protestants.

Upon his arrest, Fawkes was initially defiant, gaining the admiration of King James, though not his mercy. He resisted hours of brutal torture but finally broke, implicating and dooming his co-conspirators. All were tried and given the particularly sadistic sentence of death by drawing and quartering. On the day of his execution, Fawkes cheated the authorities of their brutal revenge by jumping off the gallows platform, thus breaking his own neck.

Though the movie version of Vendetta made the face of Guy Fawkes into a world-wide meme, Alan Moore was highly critical of the adaptation. He felt the script had simplified the V character to made him more of an unambiguous hero, and also softened the graphic novel’s anarchistic message. Personally, as much as I enjoyed the movie and rooted for V, I still felt conflicted about him. I found his imprisonment and psychological torture of his protege Evey (supposedly to break her fear of death and assure her love of liberty) to be quite disturbing.

Regardless of the controversy surrounding the historical Fawkes, November 5th has become an important day for those who love liberty around the world. It is no longer just for the English to remember.

 

Attack on Titan

At the 2013 Saboten Con, which was held here in the Phoenix area, we all heard a lot of buzz about a new anime called Attack on Titan. The show’s popularity was obvious from the full conference room for the panel discussion on the upcoming season. There were also showings of the actual episodes, which were restricted to 18+, supposedly due to graphic violence, so I was unable to attend with my son. Intrigued by all the fuss, I vowed to check it out.

The first thing I realized was that the title is a mistranslation. There’s no place called Titan (certainly not the famous moon of Saturn) being attacked. Instead, there are beings called titans which attack humans, and are attacked in return. So it should either be Attack of the Titans or Attack on the Titans. Like a lot of anime, this show was based on a manga, which was also released as a light novel.

Secondly, the claim of graphic violence was a gross exaggeration; I would rate it a PG-13. True, people get eaten by titans, but this is typically shown from a distance. As such, it’s no more violent than Grimm’s Fairy Tales, in which people were eaten by giants and monsters all the time. The one possible exception was a flashback scene in which the main protagonist, at the age of 9, uses deadly force to rescue a friend from murderous human traffickers. Yet surely this episode, bloody as it is, provides valuable lessons in “stranger danger” and the importance of self-defense.

My third observation is that the show’s immense popularity is at least partially deserved. The action is gripping, the characters engaging, and the art style is interesting, especially when portraying the titans. The opening and closing themes are much better than average, and surprisingly relevant to the show – though not all the lyrics are subtitled. Having said that, I’ve seen many science fiction animations that were better done and less hyped.

One of the strangest things about Attack is its backstory – though admittedly, many anime have strange premises; if you’ve even seen Speed Grapher you know what I’m talking about. In an unspecified future, humans fall prey to a race of giant humanoids called Titans, who seemingly come out of nowhere. Perpetually hungry, they devour almost the entire human race, except for the inhabitants of one city, which judging by the character names, seems to be somewhere in German-speaking Europe. The surviving city has three concentric 50-meter-high walls to protect its inhabitants against the predators. This enclosed area has just enough agricultural land to feed its people, and there the human race survives for a hundred years.

As the series begins, a “colossal titan,” larger than any ever seen, arrives to kick a hole in the outer wall. Dozens of hungry titans pour in to devour the population of the outer ring. Our unfortunate protagonist, a teenage boy named Eren Jaeger, escapes with his two best friends, but not before witnessing his mother being gobbled up by one of the marauding giants. He then swears to exterminate the entire titan race.

The weird thing about the Titans, which makes the whole plot line a bit difficult to swallow, if you’ll pardon the pun, is that they’re both slow and stupid. They don’t speak or wear clothing. They vary in size from 3 to 15 meters in height, and mostly look like giant naked men without genitalia (probably omitted more for reasons of censorship than plot.) Yet they are surprisingly difficult to kill, and never lose their appetites for human flesh. They are perfect “eating machines,” like two-legged land sharks.

What’s more, human technology has at this point devolved to something like a steampunk level. The only way a person can kill a a titan is to don a special jet pack which allows him or her (it’s an equal opportunity army) to fly close enough to stab the Titan in its only vulnerable spot, the base of its neck. Often as not, this maneuver results in the demise of the soldier rather than the Titan.

Though I won’t give any spoilers in this column, I will say that my guess about the Titans’ origin, which I made about 4 episodes in, was substantially correct. Another aspect of the show I greatly appreciated was its stealth libertarian message: the city government is portrayed as being incompetent to defend the people and callously indifferent to their fate.

On a scale of 1-5, I would give the show a 4. I recommend it to anyone who likes science fiction action and doesn’t mind a little blood. You also need to have the capacity for a Harry Potter-esque suspension of disbelief. Be advised that the tragic events of the first 2 or 3 shows are really disheartening. Keep watching; it gets better.

Episodes of Attack on Titan are available for streaming on crunchyroll.com and funimation.com.

High Noon in America’s Outland

One of the most memorable scenes in science fiction cinema was in the 1981 movie Outland. At a mining facility on Jupiter’s moon Io, one of the workers inexplicably rips open his spacesuit while working outside in the near-vacuum, spattering himself all over the airlock window. Federal Marshal William O’Niel, portrayed by Sean Connery, investigates this and other incidents in an epidemic of senseless violence. The cause turns out to be a stimulant drug the mining company gives to its workers. The drug increases workers’ productivity, but there are some nasty side effects. His investigation threatens some powerful people, and the Marshal has to take on a gang of company hit men, in a scene that his been called High Noon in outer space.”

This is picture that came to my mind after the recent Navy Yard tragedy. Although the mainstream media hasn’t given it much attention, deceased shooter Aaron Alexis had recently been treated with psychiatric drugs. In fact, many of the perpetrators of recent mass shootings have had a similar history. It this more than a coincidence, as many in he alternative media claim?

I’m a naturally skeptical person, so when I first heard the news of a possible link between psychiatric drugs and suicide, I was not surprised. After all, many of the people who take these drugs do so because of depression. My question was, did the drugs actually increase the likelihood of suicide, or were they just ineffective at preventing it? Was there a real risk or was it just a disclaimer to protect the manufacturers from lawsuits?

Unfortunately, the problem was much broader than that. Antidepressants are only one type within the broad category of psychiatric drugs. They include drugs like Ritalin, usually prescribed to keep hyperactive children focused in school. Here is a situation in which medication is given, often under extreme pressure from school authorities, to children who aren’t necessarily that troubled. It’s a win-win for the pharmaceutical industry, which makes billions of dollars, and the schools, who can maintain their educational assembly line without being disrupted by inconvenient displays of individualism. The losers, if the allegations are true, are the victims of the resulting senseless violence, as well as our treasured civil liberties, such as the right to bear arms.

Why would these drugs cause violence in some users, when the majority seem to experience no such side effects? I’ve heard many theories, both in the alternative media and from discussions with friends and colleagues. One possibility is withdrawal. Some of the accused shooters had supposedly discontinued their medication suddenly. If the withdrawal symptoms are not debilitating as they would be with heroin, for example, the addict is able to take out his distress on himself or the people around him. Another theory is detachment; the notion that under the drug’s influence the user no longer fears death, or feels remorse at the thought of killing. My own hypothesis, which I haven’t heard from anyone else, is that to the extent that medication replaces therapy, people with severe mental problems are allowed to get worse while remaining functional in society. These people never challenge their own irrational, destructive thought patterns, which eventually cause them to snap.

Though I have no particular expertise or experience in this matter, I did have a close friend who committed suicide while taking psychiatric drugs. He also had a drinking problem, so I’m not sure if the drugs were solely to blame. Despite this tragedy, my opinion is still guided by a pro-freedom, pro-technology philosophy. Psychotropic drugs are a just another tool, which may be useful for people with certain mental illnesses. Furthermore, I’m not inclined to ban anything without an overriding reason. Such bans, no matter how well-intentioned, have their own negative consequences, such as with Alcohol Prohibition and the War on Drugs.

What we really need is transparency, beginning with some serious, independent research. The drug companies, schools, and government “health” agencies such as the Veterans Administration all have an interest in the status quo, so they must not be involved. Nor should the alternative health community do the study, as their well-known anti-pharmacology bias would make any results suspect. Unfortunately, without the approval of the Federal government (which appears to be under the influence of the pharmaceutical lobby) no serious study can happen since these drugs are, conveniently enough, controlled substances.

Even if a link between psychiatric drugs and violence is conclusively proven, it doesn’t necessarily mean they would be the only cause. There may be additional factors which taken in combination can better explain the violent behavior, and hopefully increase our understanding of human psychoses. Though there may be situations where these drugs still prove useful, I suspect that the widespread over-prescription of these drugs would cease, especially for minor ailments such as attention deficit problems. Surely an occasional disruption in the classroom would be preferable to the risk of violence in the future.

Here in the American Outland, we are in dire need of a hero like O’Niel who is willing to face down the powerful forces of government and industry, High Noon style. Otherwise the tragic attacks will continue, and the people may never know the truth.

 

More Writing Strategies, and Cory Doctorow’s Writing Tips

In my last post I detailed a few writing strategies that had worked for me, and I referenced a helpful article by science fiction writer Cory Doctorow. It’s a fascinating piece, with several intriguing suggestions, some of which I like and others, not so much.

As I said before, I love his idea about committing yourself to writing a certain number of words per day. However, I disagree strongly with the idea of writing an exact number of words. If I’m inspired I want to continue writing for as long as time permits. On the weekends I sometimes write as many as 2000 words per day on my primary project. Most days, though, I don’t have time to go much beyond my minimum 500; my day job takes care of that. If I were a full-time writer, though, I would need to balance my time between writing new material and other activities such as researching, editing, and promotion. I would probably either set a maximum word count or a time limit.

Doctorow’s reason for stopping at an exact word count – even if it means quitting in the middle of a sentence – is so you have a continuation point in your brain for the next day. That’s a good argument, but for me, it’s not necessary. I rarely get stuck on a story, and if I do, I’m obsessive enough that I think about the problem while doing other activities, such as walking the dogs or driving to work. I almost always come up with something.

Another of Doctorow’s rules, which I arrived at independently, is “don’t research.” More precisely, he means to keep your writing and and research times separate. Part of the trouble with Fidelio is that, being in the steampunk genre, which requires a lot of historical research to do correctly. I love history and could spend hours reading about it- but it doesn’t get your writing done.

When Doctorow is writing and needs to reference a fact that he doesn’t currently know (the length of the Brooklyn Bridge, for example), he doesn’t stop to research that fact. Instead, he inserts the abbreviation “TK” into the text, to remind himself to insert the information at a later time. He uses “TK” because the combination appears in very few English words, making it easy to search. During my July experiment I began doing something similar. For my own place marker I use a descriptive phrase in curly braces, such as {name of spouse.} As a software developer I use braces all the time, but when was the last time you saw them in fiction? The advantage of my scheme over a fixed marker such as “TK” is that I don’t forget what kind of info I need to substitute in any particular place.

Now for another of Doctorow’s point that I don’t like: dump the word processor. He suggests using a plain-vanilla text editor such as “emacs” rather than a word processor like Microsoft Word. It’s true that word processors can be distracting with all of their formatting features, but there’s also an advantage in ease of use. Besides, I use very few of these features until the entire work is done. I’m a Open Office partisan myself; it’s simpler than Word but much easier to use than emacs, which I appreciate from a programmer’s standpoint, but not for prose. Features like word wrap and double spacing make the text easier to read, which means easier to edit, and jobs like paragraph indenting and converting quotation marks are done automatically.

That brings me to a rule of my own that was not in Doctorow’s article– I like to plan in advance what my primary writing project will be for the upcoming month or two. If I didn’t, I’d be tempted to jump around from project to project and not finish any of them. For example, when I started Diana’s Fury at the beginning of July (to be honest, I’d already written one scene, but lets not quibble) I didn’t allow myself to switch projects it was finished. However, to ensure I wouldn’t stray from Fidelio for too long, a set a drop-dead date of August 1st. Luckily, I finished the rough draft of Diana a week early, so I then took the opportunity to work on an urban fantasy story I’d started and abandoned in 2011. Although I haven’t yet finished that story, it’s next in line after I’m done with the rough draft of Fidelio.

These simple rules have helped me vanquish a problem that has bedeviled me since I’ve started writing seriously- my obsession with working in a totally linear fashion (that is, writing one book at a time.) That’s what almost killed my enthusiasm for the craft. I spent many months writing my first book, Centrifugal Force and many more editing it. During the editing phase I had many cool ideas I forced myself to forgo. Eventually I got so burned out on the book that I had to put it aside for a few months. Now that I’m doing two or more projects in parallel (one for just writing, another for editing, and a possible third for research and/or outlining) that doesn’t happen to me any more.

So now you have them, my “top secret” writing tips, which you can modify to your own liking. Remember, the most important rule is not to write at any particular time of day, it’s just to set a regular time and stick to it. Also, be sure to check out articles and blogs by experienced authors. To a writer, newbies are not competition, they’re comrades.

Amazingly Simple Yet Effective Writing Strategies

Today I return from a one-month hiatus from this blog. In the intervening time I’ve discovered some useful writing strategies that I’d like to share. I came upon some of these on my own; others indirectly. All of them come with the following disclaimer: Everybody is different and what works for one person may not work for another. As we like to say in the Linux world, YMMV (your mileage may vary.)

First of all, I’d like to stress that I’ve been writing regularly for the last several years, and that although it’s more work than non-writers realize, I really enjoy it. That brings me to my first piece of advice. If you try writing, and you find you don’t enjoy it, don’t do it. If, on the other hand, you want to “become a writer,” the best way to do so is by frequent practice. As cartoonist Len Wein once said, “A writer writes. Period. No matter if someone is buying your work or not.”

In order to write, you must make time to write, no matter how busy you are. That brings up the second suggestion: it’s important to set aside a regular time each day for your writing. I’ve been lucky in that my day job is more flexible than most. My employer allows me to bring my own PC to work, and I write during my lunch break. Even better, I’m able to take my lunch from 1-2 PM, which means I can use the lunch room when it’s practically free of distractions.

A word of caution: You employer may not be so easy going. In particular, if you’re a technology worker, beware- some companies think they own every bit of intellectual property you produce, whether or not it’s related to your actual job. Before hiring on, make sure your contract only applies to writings relevant to the business. If not, get out as soon as possible – or write secretly, under a pen name, and never let those greedy bastards know what you’re up to. When your masterpiece is complete, quit your job, wait a few months to make it seem plausible, and voila! You just wrote your debut novel in record time.

The third strategy was something I happened on accidentally. For that I need to thank my friend Rissa Watkins, who is in the same sci-fi writer’s group (Nexus) as I am, well as an additional group. During June of this year, her other group staged a writing contest, in which a writer could earn points for writing each day, but lost them all on any day on which you failed to produce the minimum number of words. Rissa kindly invited Nexus members to participate as well, and though none of us did, I was intrigued by the concept.

I had already been writing practically every day, in the sense that I was always doing something writing-related, whether it was writing original work, editing, outlining, researching background facts, critiquing fellow group members’ submissions, or writing for this blog. What I lacked was focus. I decided to apply the principle of the contest on my own, and picked 500 as my minimum word count per day. In addition, I “found” some additional writing time by getting up a bit earlier every day. (Please don’t hate me because I’m a morning person!)

Since starting this strategy on July first, I’ve only missed the 500-word figure one time, and on that day it wasn’t by much. Following this “weird tip” (I hate those ads, too, but I couldn’t resist- should I also say that it makes writing schools furious?) has allowed me to produce much more material than ever before. For the initial test I took a 30-day hiatus from Fidelio’s Automata, the steampunk novel I’d been struggling with, to pursue a concept for an adventure novella that had been kicking around inside my head. By the end of the month I’d finished the rough draft of Diana’s Fury, and was enthusiastic to return to working on Fidelio. The best part of this strategy has been that on most days, I’ve been able to finish my 500 words before my workday starts. This leaves my lunch hour to pursue other writing-related activities, such as critiquing, editing, blogging and research.

Now I must give another acknowledgment: if I’m not mistaken, someone in Rissa’s group attributed the contest idea (at least in part) to sci-fi author Cory Doctorow. I googled his name with the phrase “writing tips,” and found this great 2009 article on Locus Online. Among his suggestions was the idea of committing yourself to writing to a particular word count per day, which, as I’ve noted, has worked wonders for me.

It seems this article has gotten a bit too long, as is my usual habit, so I’ll save the rest for my next post. In the meantime, you can check out Doctorow’s article, which I’ll critique and build upon later this week.