Self-Promotion Sunday: My Journey So Far

Book covers, Centrifugal Force & Fidelio's Automata

My first two novels: Centrifugal Force & Fidelio’s Automata

In 2007 I decided to pursue my lifelong dream of becoming an author. At the time I was a self-employed software consultant. I realized I wouldn’t have sufficient time for writing as long as I was self-employed. I also knew I couldn’t expect to support myself as a writer any time soon. Therefore I accepted an offer of full-time employment and settled into a normal, 40-hour work week. Shortly afterward I began work on my first novel, a near-future science fiction adventure called Centrifugal Force. Because of the book’s political leanings, I doubted I’d find a mainstream publisher, but this didn’t matter. My goal was to express myself, not to become rich and famous.

This was not my first serious attempt at writing fiction. Two decades earlier, I took creative writing courses, attended workshops, and wrote a number of short stories. I submitted a number of these stories to science fiction magazines, but none were accepted for publication. I realize now that I hadn’t put enough work into learning the craft. Now, years later, I was ready to make the necessary sacrifices.

My first act was to join a writers’ group. Through the website meetup.com I found a local sci-fi oriented group called the Grendelmen, after the monster from Beowulf. Through my participation in that and succeeding groups, I made a lot of new friends and learned a tremendous amount about writing.

During this time there were a number of side detours, all of which were valuable learning experiences. From my fellow writers, I learned the benefit of a thoughtful critique and honest feedback. They also motivated me to try writing in unfamiliar genres such as urban fantasy and theater.

In 2012 I finally completed Centrifugal Force. As I expected, the agents I showed it to expressed no interest. That was OK; I knew it wasn’t the kind of work that publishers were currently seeking. I chose the self-publication route on Amazon.com, and although I haven’t seen a lot of sales so far, it was really satisfying to hold my creation in my hands.

Since then, I have worked primarily in the genre of historical science fiction, also known as steampunk. My second novel, Fidelio’s Automata, is about the struggle of an idealistic young inventor to recover his stolen invention, and features eccentric genius Nikola Tesla. Currently, I’m collaborating with my partner Arlys Holloway on the “Professor Ione D” series of steampunk mysteries.

It’s been great fun, but it would be even more enjoyable if I could share my work with a larger audience. Toward that end, Arlys and I will soon be having a giveaway of free copies of Fidelio’s Automata and additional steampunk goodies. See next Sunday’s blog post for more information.

Check out Force and Fidelio on Amazon.com.

Science Saturday: Planet 9 in Outer Space

planet_9_art_1_835

It was a sad day in 2006 when our beloved 9th planet Pluto was demoted to a dwarf planet. Pluto was always the problem child, but we loved it anyway. It was the smallest planet, whose orbit was inclined at 17 degrees to all the others. Even more troublesome, its orbit crossed that of Neptune, so that for part of its 300+ year orbit it was actually the 8th planet from the sun, rather than the 9th. (It will never collide with Neptune, thanks to that tilted orbit.) To top it all off, it was discovered here in Arizona.

Unfortunately, the rebel planet had to be demoted with the discovery of Eris and a half dozen other large objects out in the Kuiper Belt – because if Pluto remained a planet, all these newcomers would be. It was not easy to break the habit of thinking of 9 planets. The “Church of 9 Planets” in Heinlein’s Stranger in a Strange Land would need a new name. Therefore it was a relief to hear that there was probably still a 9th planet out here – and this would have to be a decent size, several times bigger than Earth.

It’s ironic that Michael Brown, the astronomer who discovered Eris who jokingly calls himself “Pluto killer,” who along with colleague Konstantin Batygin, proposed the existence of a new Planet 9. Their reasoning was a suspicious alignment in the orbits of Kuiper-belt planetoids. (This is the same reasoning Percival Lowell used to initiate the search for Planet X that ended up finding Pluto.) Something massive had to be shepherding them into similar orbits, and they were too far away for Neptune to be responsible. Since then there’s been a major effort to find it, which is a challenge. It’s so far out and so dim it taxes the abilities of our biggest telescopes to find it.

Of course, the crazies have come out of the woodwork. I’ve seen numerous Internet articles proclaiming it as the legendary Nibiru, or death star, the dark planet that periodically sends comets toward the Earth causing mass extinctions. The idea of the Sun having a distant unseen companion is actually a respectable scientific theory, but the theoretical Planet 9 doesn’t seem big enough to fit that bill. Nor do astronomers expect any imminent threat to our planet.

The other issue is, what will we call this new planet? By convention, trans-Neptunian objects are named, like Pluto, after gods of the afterworld. (Eris is an exception, but the “goddess of chaos” theme was quite appropriate to what its discovery did to the world of astronomy.) Perhaps we should take a hint from Herman Melville and call it Ishmael.

Reference: https://en.wikipedia.org/wiki/Michael_E._Brown

Image from http://solarsystem.nasa.gov/planets/planetx

Continue reading on my blog at

If you like reading about undiscovered planets and alien critters, you’ll like my books. Check them out on Amazon.com

Remember, Remember: Guy Fawkes, V for Vendetta, and Anonymous

220px-anonymousoccupy

Tomorrow is Guy Fawkes Day, a British holiday which commemorates the foiling in 1605 of an anti-royalist conspiracy to blow up the House of Lords. Traditionally, it was celebrated with bonfires and burning effigies of the treasonous Fawkes. It’s ironic that the image of this historical villain has been transformed into a heroic symbol of anarchism and the liberty movement.

This is because in V for Vendetta, the graphic novel by Alan Moore and David Lloyd, the anti-government protagonist wears a Fawkes mask to hide his identity. This work and its popular movie adaptation led the hacker group “Anonymous” to adopt the Fawkes mask as its symbol. In a case of life imitating art, they have staged protests with masked members, just like in the movie. This brings up the question of extralegal political action. When is it justified and in what fashion?

On one end of the spectrum, we have violence against people, including political assassination. While this may be justified in the case of a Hitler or Stalin, it is almost always counter-productive. As the Who put it, the “new boss” will be “same as the old boss.” Terroristic and retaliatory violence is similarly flawed. If an organization is willing to sacrifice innocents in order to gain power, how will it behave after the battle is won? If we expect them to change, we will surely be disappointed.

At the other end are peaceful protests, including the non-violent civil disobedience advocated by Mahatma Gandhi and Martin Luther King, Jr. Such tactics are more likely to achieve lasting change, but they may require members of the movement to sacrifice their freedom or even their lives. Furthermore, nonviolence is less effective against authoritarian governments, which is why Iran’s “Green Movement” did not achieve its goals.

In the middle, we have destructive but non-violent action, such as sabotage, computer hacking, and release of secrets. This may be the only option when peaceful and legal channels are blocked. In the US, the release of state documents by Wikileaks has done tremendous good in revealing the machinations of the power elite. Cyber-attacks against institutions that kill innocents and violate our privacy, such as the CIA and NSA, would also be morally justified. Unfortunately, it’s unlikely that hackers could win those battles. This is why the rebels have focused on easier targets such as corrupt politicians and thieving bankers.

I believe that extralegal action is sometimes necessary, even in a “free country” such as ours, because democratic systems are prone to capture and manipulation by the rich and powerful. Those who participate in such actions must be aware of the risk. Consider, for example, the steep price Chelsea Manning is paying for blowing the whistle on US atrocities in Iraq. Violent actions, such as Fawkes’ “Gunpowder Plot” are not just wrong, they are damaging to any positive goals one might have.

If you’re a “V for Vendetta” fan, you’ll love my books. Check them out on Amazon.

Image is from https://en.wikipedia.org/wiki/Anonymous_%28group%29

Media Monday: House of Five Leaves

House of Five Leaves, Cover of Manga

House of Five Leaves

Over the last few years, Arlys and I developed a fondness for Japanese animation. We have very specific tastes. For example, we don’t care for “slice of life” dramas such as the award-winning “Ping Pong the Animation” or weird cutesy concepts like “Kantai Collection” (which portrays battleships as Lolly girls.) Having watched most of the classics, we’ve been having difficulty finding interesting shows that we haven’t seen. A coworker recommended “House of Five Leaves,” which is a historical drama that takes place in the samurai era. This is one of our favorite genres, so we gave it a try.
“Five Leaves” is a single 12-show season, based on a manga by Natsume Ono in 2010 and adapted by Manglobe as a TV series in 2012. We were surprised we hadn’t heard of it or seen it in any of the “best of” lists we’ve searched for. Nevertheless, we found it quite interesting. The first thing that struck us was that the art style is deliberately simplified. The characters look cartoonish, though not in a childish way. It reminded me of classic American cartoons such as “Little Orphan Annie.” (Rather than having blank eyes the characters tend to have huge black pupils.)
The protagonist is Masanosuke (Masa), a samurai who has lost his job as a bodyguard. Though he is a skilled swordsman, his meek personality makes him an ineffective protector. As he searches for work, homeless and hungry, he meets a shady character named Yaichi (Ichi.) Ichi heads a secretive group of criminals called “Five Leaves” after their symbol, the five-lobed maple leaf. Their specialty is kidnapping the sons of wealthy aristocrats, and holding them for ransom. They are unusually ethical kidnappers; they return the hostages promptly on payment and are distressed by the idea of killing.
Despite his desperation, Masa is reluctant to be involved in anything illegal. Ichi presents a carefree facade, but is actually a skilled manipulator, slowly drawing Masa into the gang. Besides these two characters, the group includes a tavern owner, an ex-thief, and an ex-prostitute. As his life becomes more intertwined with the gang, Masa’s childlike innocence and Asperger-ish bluntness threatens them all with capture. In the meantime, Ichi’s past comes back to haunt him, as members of his former gang hunt for him to settle a score. With its theme of crime and criminals, you might expect “Five Leaves” to be a shonen (young boy’s)-type show, with lots of swordplay, but it’s actually a character study. Its focus on relationships between the characters would make it just as appealing to a female audience. The Five Leaves gang is like a dysfunctional family, and the characters are all endearing in their own quirky ways.
The “House of Five Leaves” anime is licensed in the USA by Funimation.

Review – Throne of Bones

I first heard of Vox Day in conjunction with the #Gamergate scandal. Day, also known as Theodore Beale, is a writer and game developer who’s become controversial for his outspoken conservatism. My first encounter with his work was a short political book called SJW’s Always Lie, a harsh critique of the so-called “social justice warriors.” The book outlines a simple strategy for protecting oneself from the fanatical progressives who try to silence anyone to the right of Bernie Sanders. Despite his tendency for hyperbole, I enjoyed Day’s abrasive style, and decided to take a look at his fiction. I selected his 2012 fantasy novel Throne of Bones, Arts of Dark and Light, Book One.

In its print version, Throne of Bones is approximately 850 pages, almost as long as a George R. R. Martin work. Due to my busy schedule, and the fact that I’m always reading several books at a time,it took me several months to finish it. But I persevered, and I found it quite enjoyable.

My biggest complaints about Throne apply not to this specific work but to the fantasy genre in general. I prefer novels of about half that length, so I can finish them in a reasonable about of time. There are also too many point-of-view characters and story threads. Just when I get caught up in one of these narratives, it switches to another. If there were just 2 or 3 threads, I’d read on, expecting the author would get back to it soon. When a novel has 7 or 8, I become frustrated.

Nevertheless, there is a lot to recommend this book. Of the plethora of characters, most are well-rounded and interesting. You might expect a notorious radical like Day would create characters who are purely good or evil. Thankfully, he does not. In that way, he’s a lot like (he’ll wince at this comparison) Game of Thrones Martin. This depth of character is complicated by their mores of their world, which are nothing like our modern, tolerant ways. Take for example the general Valerius Corvus, who has his own nephew executed for disobeying orders during a battle. He is a tough, unyielding bastard but is also one of the book’s most sympathetic characters.

The novel’s setting is Selenoth, a Tolkien-like fantasy world. It contains the expected races of humans, elves, dwarves, goblins, and orcs, with some interesting twists. In particular, the elves are not noble and pure like Tolkien’s; they possess a cruel sense of humor and have a xenophobic, genocidal history. Humans on Selenoth are organized loosely in three political groups. The first and most prominent in the story are the Amorrans, denizens of a Roman-type empire that speak a Latin-like tongue and practice a strict, quasi-Christian religion. They rule over a vast number of subservient cities and territories, none of whom possess Amorran citizenship. Secondly, there is Savondir, a neo-French kingdom with a complex aristocracy. Unlike Amorr, which forbids the use of magic on pain of death, Savondir employs battle-mages as part of its military forces. In the third group are the barbarian Dalarn, Viking-like reavers who inhabit the Wolf Islands in the far north.

Much of the action consists of warfare within and between the various human groups, as well as battles against the blood-thirsty, cannibalistic goblins. As I said before, Day does not soften these cultures in line with modern, Western sentiments. There is plenty of killing of and by the protagonists. Amorran martial discipline is enforced by the threat of summary execution. Male-female sex roles are similar to those seen throughout human history, with women taking a subordinate (though often conspiratorial) role. Only among the elves do females have a prominent place in society, due to the magic powers of their virginal sorcerer-priestesses.

My biggest issue with Selenoth society is the imbalance that should be caused by the Amorran ban on magic. I don’t understand how they would not be defeated by Savondir or the elves, both of whom have a magical advantage. The long-lived elves are relatively aloof from human concerns, but the Savonner nobles are as cruel, arrogant, and power-hungry as their Amorran counterparts.

Regardless of what you may think of Day’s politics (and I personally couldn’t care less about an author’s ideology,) Throne of Bones is a great read. If I were to subtract a star for anything, it would be the book’s marathon length and complexity.

My 2016 Election Predictions

fourcandidates

Above image from patheos.com

Most of the 11 or so people who follow my blogs and my Facebook author page are probably aware of my bias on the upcoming elections. After really pissing off some old friends with my recent post bashing Gold Star dad Khizr Khan for his work on behalf of the terrorist state of Saudi Arabia, I’ve decided to quit pussyfooting around and make my unvarnished opinions public. After that, I plan to take up Zen meditation and only blog about things which I can spin in a positive way, unless of course, the sky turns out to be actually falling. Submitted for your approval below are my predictions and odds for the four, yes four, major candidates.

Hillary Clinton
Best case: Clinton’s reign is a continuation of the Obama administration, with the US muddling along through a stagnant economy, botched foreign interventions, and increasingly stifling political correctness. Congress manages to nip the worst of the Clinton agenda in the bud. She does manage to appoint a totally unqualified transgender lawyer as Attorney General. Social justice warriors blame whites and Republicans for “lack of progress” and incite fierce riots in the inner cities.
Worst case: Clinton is the “fall gal” for the Evil Globalist Agenda, which I believe is this: America’s individualist culture must be destroyed. Christian, conservative, and libertarian websites are shut down by “hate speech” laws ratified by a progressive-dominate Supremed Court. The Draft is renewed for men AND women, to provide cannon fodder for the US invasions of Syria and Iran. Local police are forced to carry out door-to-door confiscation of private firearms, which provokes open rebellion and the secession of ten states. Vladimir Putin, furious with the admission of Ukraine to NATO and the US carpet-bombing of the Russian-speaking rebel areas, threatens nuclear war.
Odds of winning: Despite being ahead in the jury-rigged polls publicized by the media, Clinton is despised by half of the population, so I’ll say 50%.
Personal stake: I would vote for Satan Himself before voting for Hillary.

Donald Trump
Best case: Trump becomes the American Putin (who is viewed by the Russian people not as a dictator but a national savior.) He takes down Wall Street, arrests corrupt bankers, and breaks up the big banks and health insurance monopolies. He withdraws from NATO and NAFTA and scuttles the TPP. Congress blocks the building of the  border wall, so Trump instead promotes a constitutional amendment banning government benefits for illegals and ending “birthright citizenship” for their kids. It passes, causing millions of them to self-deport. The economy briefly tanks but then begins to recover. On the downside, Trump finds legal ways to arrest his most vocal critics. The inner cities experience devastating riots as welfare benefits are cut, and most large cities are put under martial law.
Worst case: Trump’s administration is like that of Arizona’s Sheriff Arpaio, presenting a “get tough” image with little substance. Congress blocks Trump’s most radical reforms and begins impeachment proceedings within the first 90 days. Trump’s executive order repealing Obamacare leaves nothing in its place and millions are left without coverage of any kind. Several liberal coastal states threaten to secede. Trump negates the Iran nuclear deal, causing the frustrated mullahs to start an actual nuclear weapons program (as opposed to the current one, which exists only in the minds of the neocons.)
Odds of winning: Despite also being despised by half of the population, Trump’s supporters are better at getting out the vote, so I’ll say 55%.
Personal stake: I will hold my nose and vote for Trump if there appears to be any chance that Lucifer, I mean Hillary, could win my home state. By the way, that’s very doubtful.

Gary Johnson
Best case: The allegedly libertarian Johnson wins as a Congressional compromise after a deadlocked electoral college. As President, Johnson muddles along like Jimmy Carter or Gerald Ford, managing to enact modest cuts in entitlements and military spending. The economy grows, albeit very slowly. Johnson’s biggest success is to replace Obamacare with a voucher system and repeal laws that prevent health care competition, giving the public much-needed relief from astronomical health insurance premiums.
Worst case: Same as the above, except that Johnson’s weak-minded cuts to government engender fierce opposition from “entitled” public dependents as well as conservatives frustrated by a lack of progress. With his approval ratings at rock bottom, Johnson’s firing of mutinous neoconservative generals causes the first successful military coup in US history.
Odds of winning: Believe it or not, I think the above scenario has an actual chance as the Establishment desperately tries to prevent Trump from winning, especially if Clinton’s legal situation worsens. The Republican-controlled Congress is likely to see any former Republican governor, even a proponent of legalized weed like Johnson, as the least evil outcome. I’ll say 5%.
Personal stake: If Ebeneezer Scrooge, oops I mean Trump, appears to have Arizona sewed up, I will hold my nose and vote for this very un-libertarian libertarian to maximize Johnson’s popular vote totals in the event of the above scenario.

Jill Stein
Best case: Stein extricates the US from all foreign conflicts and cuts contributions to NATO, balancing them with increased funding for the UN. Her plan to replace Obamacare with a single-payer system is blocked by Congress, as are most of her socialistic economic reforms. She does manage to allocate savings from military cuts to enact Medicare coverage for otherwise un-insurable citizens, thus taking most of the pressure off the failing health care exchanges. Stein becomes wildly popular with her partisans, who blame Republicans for blocking her agenda. Middle Americans, relieved at the economy’s continued slow recovery, ignore the ubiquitous SJW-inspired protests.
Worst case: Same as above, except that much of Stein’s socialist agenda is enacted as law. Her programs for free universal medical care and college education cause the US to spend its way into hyperinflation and eventual national bankruptcy. Stein presides over a disaster comparable to Maduro’s Venezuela.
Odds of winning: Zero. The major media will work overtime to marginalize Stein, as they believe (correctly) that she will take votes from Clinton.
Personal Stake: I will vote for Stein if and only if Trump and Johnson drop out and she is the only alternative to Mephistopheles, I mean Clinton.

Disclaimer: The above article is satire and I don’t actually believe that Clinton is Beelzebub. Besides, it’s my understanding that Hell is equipped with an impenetrable Glass Ceiling.

Note: You may have noticed that the percentages do not total up to 100. There’s a simple explanation for this. President Obama has declared that all Americans must give 110% toward our nation’s economic recovery.

Review – Star Trek Beyond

Once again, I missed a golden opportunity. I saw the latest installment of Star Trek on the very first night and then neglected to write my review for a whole week.

Star Trek, Beyond is the third in the series since the “reboot” which changed the Trek timeline and replaced the original cast with fresh new faces. I’ll admit that I was appalled at first, but I’ve grown fond of the new cast. Chris Pine and Zachary Quinto do Kirk and Spock really, really well. And tragically, just as we were getting to know him, Anton Yelchin, a.k.a. Chekov died in an accident shortly before the movie’s release.

This story was similar in formula to the previous two post-reboot movies, but a bit better, perhaps because Simon Pegg (who plays Scotty, and also created the brilliant zombie spoof Shaun of the Dead) wrote the screenplay. The pace is less frenetic than its predecessors, and that’s a good thing. It gives the characters more time to spout quotable lines, none of which I happen to remember at the moment. There are of course relationships carried over from previous shows: Spock and Uhura (Zoe Saldana) are on the outs, and their improbable relationship drives much of the story’s interpersonal dynamic. There’s a scene in which we learn that Ambassador Spock (young Spock’s other-dimensional self) has died, probably more of a nod to Leonard Nimoy’s passing than an actual story element.

I’d like to note that Sulu’s character (played by John Cho) is portrayed as gay, no doubt an homage to the original series’ actor George Takei. This fact didn’t affect the story in any way, and the choice struck me as a bit too PC. I’d have preferred they’d selected some other random character to carry the rainbow flag into the 23rd century.

As with the last two Star Trek movies, Beyond opens with one or more of the primary characters doing Something Important. In this case, Kirk is presenting a peace offering from one warring race to its adversary. Unlike the over-the-top volcano incident in Into Darkness, this seems more like something a Starfleet captain would actually do. By the way, the scene is quite funny, as well as relevant (to say how would be a spoiler) to the rest of the story.

The plot revolves around the Enterprise’s mission to answer a distress call from a ship that’s crashed on an isolated planet in the middle of a nebula. This nebula is not the dense, electrically charged cloud as these things have been portrayed in classic Trek. It’s more like Saturn’s rings in spherical form; a huge field of rocks, boulders and dangerous space junk, reminiscent of the classic “Asteroids” video game. I’m no astrophysicist, so I can’t say which of these views is more realistic.

Kick-ass women are a staple in sci-fi these days, and Beyond has one, of course, the black-and-white-skinned Jaylah (Sofia Boutella), the only survivor of a crash on this isolated world. I liked the way they emphasize her intelligence as her primary strength, and the fact that she’s survived on this world for years, which is a more satisfying explanation of her expertise than innate talent. (You guessed it; I’m pointing to the egregious example of Rey in Star Wars The Force Awakens.) Jaylah is also an aficionado of late-twentieth-century earth music; I had to laugh when one of the characters referred to Public Enemy as classical music. This is setup for a battle scene that’s so ludicrous that it becomes ironically cool. I like the Beastie Boys, but to see their music being used as a weapon? I can’t decide whether it’s brilliant or idiotic.

The villain, Krall (Idris Elba) is at first quite intriguing. He’s powerful, evil, and conniving, with a look reminiscent of G’Kar from Babylon-5, and a Road Warrior kind of presence. However, I found his back-story (which I won’t reveal here) to be an enormous letdown. I suspect that the writers were trying a bit too hard to surprise the audience.

In conclusion, I’d say Star Trek Beyond is well worth seeing for any sci-fi fan with a reasonable sense of humor. This was not the most outstanding of the Trek movies, but it was a definite improvement on the previous one. In these last couple of years the movie business has been plagued with sequels and franchise entries that ranged from disappointing (the aforementioned Star Wars, which I’ve seen) to terrible (Ghostbusters – considering the reviews, I’ll wait for that one to come to Netflicks, OK?) It was good to see a decent one for a change.

Denialism: Conspiracy’s Rabbit Hole

10693074-mad-hatter-s-tea-party-alice-in-wonderland-original-vintage-engraving-tea-party-with-the-mad-hatter-

Above: the classic illustration by John Tenniel from Alice in Wonderland.

The word denial conjures up many images in our minds. Besides its association with Twelve Step philosophy, which is not the subject of this article, it usually refers to the refusal to believe in certain events or phenomena, such as the Holocaust or climate change. The latter is not my subject either, as it refers primarily to the future. I am talking about the delusional rabbit hole of historical denialism, of which Holocaust denial is just one example.

Although I agree that Holocaust denial is offensive, I oppose all laws that criminalize such speech. It’s better to counter a lie with truth, rather than to censor speech, which the crazies will spin as proof of the “worldwide Jewish conspiracy.” Holocaust denial is wrong, and not just for its anti-semitic implications. Hitler’s regime also murdered gypsies, gays, and the handicapped by the millions. Denial is cruel because it is because it fails to recognize the suffering and death of the victims, and marks the survivors as liars, adding insult to injury.

Here in America, denialism was a fringe form of lunacy until after 9/11. Then, along with the more mainstream conspiracy theories about possible government foreknowledge of the attacks, there were rumors that the passengers of some or all of the doomed planes didn’t die. Supposedly they were whisked away an unknown location. Or perhaps the planes themselves were holograms, projected on the Twin Towers to draw attention away from the explosives planted within.

These ideas were so loopy, they didn’t get much traction, but they gave support to politicians who claimed the 9/11 Truth Movement was disrespectful to the families of the victims. This claim is, of course, false, since it was victims’ families who pushed the government into doing an investigation. Truthers do not deny the attacks happened. Rather, they question the official story, which has some pretty improbable elements of its own. See James Corbett’s brilliant short video, “911, a Conspiracy Theory.

Denialism reared its ugly head again after the Sandy Hook school shootings. People began claiming that the whole event had been faked by the government as an excuse to carry out gun confiscation. Not only is this argument delusional, it is needlessly cruel to the parents of the victims. Furthermore, it gives the false impression that Second Amendment advocates have no valid arguments against gun control.

What about the possible role of psychiatric medications, which have been a factor in so many recent mass shootings? The media, which receives millions in advertising revenue from pharmaceutical companies, is loath to raise this issue. By embracing the lunatic notion of denial, Sandy Hook conspiracy theorists let them off the hook. Another interesting story says that the shooter, Adam Lanza, was diagnosed at Yale University as “profoundly autistic” with “isolationist and anti-social tendencies.” This begs the question of whether Lanza’s mother, knowing that her son was mentally ill, was irresponsible to keep guns in her home. These are difficult questions, not cut and dried like the mindless claim that “it didn’t happen.”

More recently, I’ve heard these same denialist notions raised in relation to the mass murders at the Pulse Nightclub in Orlando. “Where were the bodies?” say the on-line trolls. There’s a simple explanation for this: the media holds back pictures of victims, out of respect for the feelings of the families. Again, the allegations of fakery side-step more important issues. Was the shooter, Omar Mateen, taking psychiatric drugs? Why did the FBI, who interviewed him twice about extremist statements, conclude he was harmless? Did his parents’ Islamist ideology cause him to attack fellow gays out of self-hatred?

The problems with the denialist mindset are not just cruelty and misdirection from real issues. It’s irrational as well. Occam’s razor states that the simplest explanation is usually the best. Yet elaborate theories about events being faked are much more complex than the more straightforward conclusion that “it happened, let’s find out why.”

Perhaps the most ironic aspect of denialist theories is that they deny evil. Are we to believe that Hitler, a brutal dictator who invaded his neighbors without provocation, was actually a nice guy who would shrink from mass murder? Were the 9/11 terrorists (or the US government, take your pick) too ethical to kill four plane loads of people? Was Adam Lanza just a mixed-up kid set up as a patsy? Was Omar Mateen the innocent victim of Islamophobic prejudice? None of these alternate explanations make any sense. If the powers behind these conspiracies are so bad, why stop at deception? Any government that has ever gone to war has killed civilians or allowed innocents to die for the cause. Furthermore, companies have knowingly put out dangerous products that have killed people. Could the irrational theories of denial be the work of trolls and their innocent dupes, to make conspiracy theorists look foolish, or to draw attention away from the holes in the official stories of these tragedies?

Denialism is not just cruel to the victims of the denied events, it’s foolish and counter-productive of the denialists’ professed anti-government ideology. As always, truth is the answer, not censorship. Those of us who research conspiracy theories must expose these denialist narratives as the toxic nonsense they are. The rest of the public, who may not agree with our interpretations of recent history, must understand that these people do not represent us. As always, the events in question are far more complex than they appear.

Kiznaiver, or “I Feel Your Pain”

Kiznaiver

Kiznaiver, one of the spring 2016 offerings of the Japanese animation studio “Trigger,” just aired its final episode last weekend. It was better than I expected; I’d rate it at least 4 stars out of 5. Trigger is most famous for the cult favorite Kill La Kill, an over-the-top satire featuring lots of gratuitous (near) nudity and violence, the premise being a bizarre conspiracy to rule the world through malevolent clothing. Kiznaiver is nowhere near that edgy, but it maintains Trigger’s characteristic quirkiness in a show that has a much broader appeal.

The story takes place in the fictional Sugomori City, which was founded years earlier to advance the utopian goal of the elimination of war and violence. Though this idealistic vision seems to have been forgotten, a small group of scientists continues to conduct psychological experiments on unknowing, unwilling subjects. They select seven high school students to receive the “Kizna” (Japanese for “connection”) surgery, which leaves no visible sign except a strange mark on the arm. Its purpose is to connect the study’s participants, so that if any of the seven feel pain, they all do. Furthermore, the sensation is divided in intensity as it is distributed among them all. A side effect is to lessen any injury that one of them suffers. In the first episode, one of the seven falls head-first down a long flight of stairs and suffers only a minor concussion.

Despite its weird science-fiction premise, the show’s intriguing characters save it from being dry and contrived. The seven test subjects begin as anime stereotypes: Yuta the playboy, Tenga the thug, Chidori the nice girl, Nico the cute lolly, Honoka the ice-cold bitch, Hisomu the eccentric freak, and Katsuhira the blank-slate protagonist. Though they are classmates, they have nothing else in common. The Kizna experiment forces them to associate and to overcome numerous trials together. In the process, they share their hopes and fears and reveal the true depths of their personalities. The eighth major character is the beautiful, enigmatic Sonozaki, a fellow teenager who acts as their handler. The show hints at her past association with Katsuhira, which he remembers only through disturbing dreams. Both were involved, as small children, in an earlier experiment that had tragic consequences.

As for the seven test subjects, there’s a constant tension between those who crave acceptance and companionship from the group (Nico), those who reject it (Honoka) and those who just don’t care (Katsuhira.) While the teenagers deal with the burden of shared physical and emotional pain, they become involved in a complex romantic polygon, in which everyone’s love interest is focused on someone else. The most prominent character arc is that of Katsuhira, a boy who feels little emotion and no physical pain, who learns to rediscover his humanity.

For all the heavy moral and ethical questions that Kiznaiver explores, it is never preachy. No one is totally good or evil. The emotionally damaged Sonozaki has a good reason for her lack of empathy. Even the experiment’s ringleader, Sugomori’s scheming mayor, and the two high school teachers who serve as his bungling hench-people, seem to have good intentions. As with most anime series, the show has comic elements, including the omnipresent mascots called Gomorin. These anonymous city workers wear suits of bizarre lumpy creatures whose distorted faces resemble the “Kizna” mark. The show’s worst feature are its groan-worthy episode titles, including this gem: “Wahoo, It’s a Training Camp! Let’s Step in Deer Poop and Have Pillow Fights! Go, Go!”

At times, Kiznaiver borders on melodrama, but somehow the show maintains a balance between message and entertainment. I see it as an allegory about what it means to be human, the importance of community, and the ways people deal with loss. Political animal that I am, I couldn’t help drawing parallels to political and economic systems. The Kizna project, by forcing people to share both physical and emotional pain, is a lot like socialism. Both ideas have noble motivations that seldom work out as intended. As for the show’s actual message, that’s for the viewer to decide.

Kiznaiver can be seen on Crunchyroll.com and numerous other anime websites. Kiznaiver promotional image is from wikipedia.org.

Why Steampunk?

Steampunk Frog

Illustration: Steampunk Frog by Kyle Dunbar. Kyle now has his own tattoo business in scenic Cave Creek, AZ, be sure to check it out!

Note: WordPress won’t let me put a link in the caption, so see Kyle’s Instagram Page here.

For those of you who are wondering, what the heck is steampunk, there are plenty of definitions but I’ll give you mine. Steampunk is a sub-genre of science fiction set in the past, generally in the period of the late 1800’s we call the Victorian Era. England was at that time the world’s ruling power, and its monarch, Queen Victoria, reigned from 1837-1901. Personally, I would include the reign of her son Edward VII, extending the period to 1910. In America, it was known as the Gilded Age, the time of industrialization and progress when steam power ruled the world.

In one sense, steampunk is historical fiction, but it’s more correctly a form of alternate history, which is why we add the “punk” suffix. According to Wikipedia, sci-fi writer K.W. Jeter coined the term to classify his works. The term was a pun on the term “cyberpunk,” a popular sci-fi subgenre of the 1980’s, which was in turn associated with the “cypherpunk” political movement of computer hackers. In the beginning, “punk” signified the anarchy and decadence of the musical style by that name. Eventually, it was broadened to include any genre in which history is skewed or twisted, giving rise to “dieselpunk” fiction set in the period from around World War I to the 1950’s.

What makes steampunk so popular? I believe it’s because the Gilded Age was a time of great optimism about humanity’s future and the advancement of technology. This is when writers like Jules Verne and HG Wells invented modern science fiction – though admittedly not all their works were optimistic. In our uncertain and decadent times, this era seems inviting, even refreshing. Courtesy was an essential character trait, and honesty and hard work were widely admired. The positive outlook of that time provides a welcome contrast to today’s bleak economic and political outlook. The class distinctions and rigidity of Victorian society, which would be stifling to our modern sensibilities, can seem reassuring when viewed from a distance.

One thing that has surprised me about the steampunk movement is its longevity. At first, it seemed it might be a transitory fad, more about the fun of wearing “high tech” period costumes to conventions than the stories themselves. Perhaps costuming and art are indeed steampunk’s more popular aspects and we have a lot of that in our house, but the literary movement is going strong as well. This is one of the reasons I’ve been writing in this genre- its current popularity, combined with my own fascination with history and technology.

My first exposure to steampunk fiction was the novel The Difference Engine by Willliam Gibson and Bruce Sterling. This alternative history about the rise of mechanical computers in the 1850’s helped establish some of the archetypes of the genre. Alternate history, including the steam era, were frequent themes in science fiction (such as Michael Moorcock’s Warlord of the Air) but only recently did it earn its own category. Since then we’ve seen talented young writers such as Cherie Priest (Boneshaker) and Scott Westerfield (Leviathan) emerge to further develop this trend.

Some of its devotees say that the steampunk genre is much older, going back to the 1960’s sci-fi TV western called The Wild Wild West. It’s set in the 1870’s, when Secret Service agents James T. West and Artemus Gordon have their own train car HQ and lots of proto-James-Bond gadgets. It was one of my favorite shows as a kid, which unfortunately gives away my age.

Though I’ve always been fascinated by history and period novels, alternate history, such as the works of Harry Turtledove (Guns of the South) are even more fun. This kind of writing provided the inspirations for my second novel Fidelio’s Automata. In this book Nikola Tesla did not leave Colorado in 1900, staying to play a part in the Colorado Labor Wars, which pitted radical miners against the companies. I set another part of the story in my home state of North Dakota, involving the real-life characters the Marquis de Mores, an eccentric French nobleman, and his liberated American wife, Medora. In real life, the Marquis’ meat-packing business failed, he returned to France, got involved in extremist politics, and died violently in North Africa. In Fidelio, his business did not fail, and he stayed in America and lived to see the twentieth century.

My latest foray into steampunk is the novella Miss Ione D. and the Mayan Marvel, a collaboration with my writing partner Arlys Holloway. She invented Ione D as a Facebook persona to promote Fidelio’s Automata. I found the character so intriguing that I decided we had to create stories for her. We began with Professor Ione D and the Epicurean Incident, but decided instead to start with Ione D in her younger days, exploring the pyramids in Tikal, Guatemala. (Don’t worry; Epicurean Incident is next!) Ione is the daughter of an American diplomat and a French actress and grew up in the US embassies in Paris and London. She’s a brilliant young woman who travels the world looking for adventure and exciting new recipes, while solving mysteries in the process. Mayan Marvel is a short work and as such it is (in our humble opinion) a good introduction to the steampunk genre. Check it out on Amazon; it’s currently free to Kindle Unlimited members.