Cool Summer Reading

Posted on June 30, 2017 by vltreude

When I was a kid growing up in North Dakota, winter was the best time for reading a good book. Here in Arizona, however, the summer is the miserable season. This June has been a particularly hot one, with the temperature hitting 120. So when you’re lounging around in your air-conditioned house, what’s good to read? You’re in luck because Arlys and I are offering our e-book Professor Ione D. and the Epicurean Incident for FREE on Amazon this coming July and August. And if you happen to be attending Westercon 70 at the Tempe Mission Palms, come see us on our steampunk-related author panels on 11 AM Sunday and 5 PM Monday.

An Auspicious Announcement

Posted on June 27, 2017 by vltreude

Just your average steampunk couple

This coming weekend, Arlys and I will be appearing on two steampunk-related panels at Westercon 70 at the Mission Palms Resort in Tempe, Arizona. To celebrate, we are offering a special promotion for our new e-book, Professor Ione D. and the Epicurean Incident. This is the newest our series of steampunk adventures featuring our feisty heroine as she attends the First Epicurean Exhibition in London. This e-book will be available for download absolutely FREE on Sunday and Monday, July 2^nd and 3^rd. We make only one request: if you enjoy this book, please leave a review on Amazon. Even a sentence or two would be great. It would help us generate publicity and we would very much appreciate it. (Link)

Panels featuring Yours Truly are as follows:

“The Future of Steampunk in Writing,” with David Lee Summers
Sunday 11 AM -12 noon
David Lee Summers has written over a dozen science fiction and fantasy novels, including the “Clockwork Legion” series of Western-themed steampunk.

“Steampunk before it was Steampunk,” with Katherine Stewart.
A discussion of “proto-steampunk” in books and media before the term was coined.
Monday 5-6 PM

We hope to see you there!

Ione D: Birth of a Steampunk Heroine

Posted on May 30, 2017 by vltreude

Angelique Endres as Professor Ione D.

Ione D began with an effort by my then-girlfriend Arlys to promote my new steampunk novel, Fidelio’s Automata. She conceived of the character as a young Victorian-era girl who would travel to places mentioned in the book and write about aspects of the local culture, especially the cuisine. Her “Ione D” Facebook posts featured photos of the meals she prepared featuring Cuban, French, Western, and Native American dishes. The name was an homage to her parents, Ione being her mother’s middle name and Dee being her father’s. To create a face for the character, Arlys photographed her daughter Arlys Angelique in steampunk regalia of her own design.

I found the character to be so charming that I decided we would write a novel to give Ione D her own adventures. First was the matter of backstory: Ione would be the daughter of a US ambassador living in London, which would allow her to be a world traveler at an early age. Her mother is French and provides the impetus for her interest in cooking. Then there was the matter of the surname, which Arlys had envisioned as the initial “D” only. I discovered that there is a Welsh river which is called Dee by the English and Dfrdwy (differ-dwee) by the Welsh. Although most Welsh people have English family names, we decided that Ione’s Welsh-American father would be an exception, and take his difficult-to-pronounce name from that river.

I had always intended to list Arlys as my co-author, since she created the character, and gave her veto power over the character’s actions. To my delight she embraced an equal role in the writing, tirelessly editing and rewriting the manuscripts. Though the story lines and settings are mostly of my creation, Arlys has written a significant portion of the dialog, and she’s conceived many of the scenes that appear in the Ione D books. Without her participation, these stories would not be half as good as they are. She keeps me from going off into boring explanations and exposition and provides the woman’s perspective that we need to successfully write a first-person female character.

Epicurean Incident was my idea for the first book, but it proved to be more challenging than I’d expected. First of all, it is based on a cooking contest, something that’s largely outside my area of expertise. We re-wrote the original draft several times. In the interim, I stumbled upon a sci-fi folk tale competition and decided to write a short story in which Ione encountered magical artifacts in ancient ruins. By the time I was halfway done with this, I realized I’d misunderstood the contest parameters, and that what we had written didn’t fit them at all. That didn’t matter, because Miss Ione D and the Mayan Marvel, a novella featuring the adventures of a 19-year old Ione in Guatemala, had captured our heart. It became the first published Ione D book, predating Epicurean Incident, which is set in 1901, when Ione (born 7/7/1877) is 24 years old and the youngest female college professor in America.

Once Mayan Marvel was finished, we returned to the matter of finishing Epicurean Incident. One factor that helped us was watching the popular anime Food Wars, which features teenagers competing for dominance in an elite cooking school in Japan. It convinced us that a story line involving cooking could have an audience. We also decided to make it a murder mystery, which provided an additional challenge. The original story was too linear, containing none of the misdirections that a mystery novel requires. We needed to learn to think a bit more deviously.

Now that Epicurean Incident is completed and posted to Amazon’s Kindle Direct, we can’t help but look forward to Ione’s next adventure, this time on the island of Crete. Ione is intelligent, spunky, and kind, but not infallible. She does not hesitate to speak her mind, but she is often indecisive in matters of love.

Search “Vaughn Treude” on Amazon.com. Ione’s new adventure should be available shortly. It’s a great read for young adult and other age groups.

Happy (Real) Victoria Day!

Posted on May 25, 2017 by vltreude

Queen Victoria, Photograph by Alexander Bassano, 1882

Today is the 198^th anniversary of the birth of England’s celebrated Queen Victoria, namesake of the Victorian Era, which lasted from 1838 to 1901. It’s an official holiday in Canada, though they’ve adopted the American custom of moving people’s birthdays to Monday, so it was not observed today. It was also celebrated in the United Kingdom as “Empire Day” and later “Commonwealth Day,” until they moved it to March for some reason.

It’s also the day on which Arlys and I had planned to release the second Ione D adventure, Professor Ione D and the Epicurean Incident, in e-book form. It is exactly a year since we released the first Ione D book. And to answer the obvious question, Victoria Day seemed to us like the ideal day to promote a steampunk book. Sadly, we’re delaying the release, because we’re not quite done with the final edit. We estimate this should take us about a week. Stay tuned for more info, and Hail Victoria!

See our book Miss Ione D and the Mayan Marvel, available as both e-book and paperback on Amazon.

To Get Ahead, Get a Hat*

Posted on May 4, 2017 by vltreude

Guest post by Arlys-Allegra Holloway

Photo by @ for book 1 of the Steampunk Adventure Series of Professor Ione D.

Hats were crucial to a respectable appearance for both men and women in Victorian times. To go bareheaded was simply not proper. The top hat, for example, was standard formal wear for upper- and middle-class men. Women’s hats were designed to match their outfits and changed greatly over time. From the top hat and the bowler to a plain straw hat, women redesigned the “manly headwear” of the time to make artistic one-of-a-kind creations.

A woman’s hat in the Victorian era portrayed the very essence of who she was. Many women had a say, if not a hand in their design and construction. Milliners with the experience to please their customers with original designs were highly sought after. Most hat shops were women-owned and operated. Their original creations could cost anywhere from $8 to over $30, which was an extravagant sum at the time.

In the early to mid-1800’s, voluminous skirts held up with crinolines, and then hoop skirts, were the focal point of the female silhouette. To enhance the style without detracting from it, hats were modest in size and design. Straw and fabric bonnets were the popular choices. Poke bonnets, which had been worn during the late Regency period, had high, small crowns and brims that grew larger until the 1830’s when the face of a woman wearing one could only be seen directly from the front. They had rounded brims, echoing the rounded form of the bell-shaped hoop skirts.

Steampunk photo collection of @ Model- Arlys Endres

Now in the 21^st century, zteampunk couture has resurrected these wonderful fashions! This science fiction genre and subculture have had the amazing ability to combine the romance of the Victorian era with steam-powered gear-driven vehicles, elaborate weapons and all types of gadgets. Only in the world of steampunk can a girl be coy, sexy and deadly!

In the second book of our steampunk series, Professor Ione D. and The Epicurean Incident, the ladies’ hats are remarkable and match the characters’ personalities to a T. You must read this amazing adventure to discover which lady wears which hat. This exciting novel is scheduled for e-book release on Amazon on May 24th, 2017, Queen Victoria’s 198th birthday.

* Slogan is from a hat company advertisement, circa 1897

Photo Collage by @, Hats created by @ for the “Ione D” Steampunk Adventure Series by Vaughn Treude and Arlys Holloway.

Author’s Note:

Please peruse my other articles on Victorian Fashion, cooking and all things Steampunk on vaughntreude.info.

Sources:

Wikipedia.org/wiki/Victorian_fashion#Hats

The Parisian Hat Company History

It’s All About the Dress

Posted on April 20, 2017 by vltreude

Guest post by Arlys Holloway

Victoria’s wedding dress. Portrait painted by Franz Xaver Winterhalter, 1847, as an anniversary present for Prince Albert.

We all know the importance that the wedding dress carries in our culture.

Everything must be right with “The Dress” for that special day. Your author has been through such an event, so I understand. The prospective bride must consider the cost, color, fabric, theme, style, and construction, as well the movement of the dress and train, and the ease of exit from the dress. It is not an easy task to choose the right wedding gown.

Throughout the Victorian era and the subsequent Edwardian era, tradition, propriety, and superstition reigned. For most of history, women rarely purchased a dress specifically for their wedding day. The bride would typically wear her finest dress to the ceremony, even if it was a dark color. In fact, many brides wore black during this time. Though examples of brides wearing white can be traced back as early as 1406, the 1840 marriage of England’s Queen Victoria to her cousin Prince Albert is considered the archetypal white-wearing occasion. Described as “dripping with orange blossoms,” her stunning white dress inspired thousands to follow suit. Almost a decade after the wedding, Godey’s Lady’s Book, one of the first women’s magazines in America, declared that white was the most fitting hue for a bride, though the tradition was not yet set in stone.

Women of that time were flocking to dressmakers or making their gowns themselves. But what color should they pick? Funny you should ask. Here is poem from the Edwardian era to help brides avoid a fatal mistake in choosing the wrong gown color.

Married in White, you have chosen right,

Married in Grey, you will go far away,

Married in Black, you will wish yourself back,

Married in Red, you will wish yourself dead,

Married in Green, ashamed to be seen,

Married in Blue, you will always be true,

Married in Pearl, you will live in a whirl,

Married in Yellow, ashamed of your fellow,

Married in Brown, you will live in the town,

Married in Pink, your spirit will sink.

Well, that pretty much leaves white as the color of choice.

A dress that had been purchased specifically for the ceremony or was already had in the bride’s wardrobe was often worn by her long after the wedding. But that practice carried with it certain superstitions — shocking, I know. Of course, a lady would never wear her wedding dress to a funeral, wake, last rights or vigil, or any other depressing occasion. She also would never wear it to a close acquaintance’s wedding. Many women decided instead to pass the dress down to their daughters. However, in some higher circles, it was thought to be bad luck to wear someone else’s wedding dress even if it had been your mother’s or grandmother’s.

Most likely due to all the superstitions and restrictions on where and when it was appropriate to wear one’s wedding dress after the wedding, it became popular to pack the gown away. Yet storing it away was looked upon as wasteful. So for some frugal gals, it became commonplace to repurpose the dress instead, turning it into doilies, handkerchiefs, or even curtains, which would be given as gifts or placed in a hope chest.

Photo by @. My actual wedding dress from 1985 Repurposed 2016.

Today we are encouraged to store our wedding dresses. They are usually very expensive and the thought of taking them apart would make one nauseous. We pay to have them shrink-wrapped, framed or pack them away with cedar. I find the thought of passing down the gown to your daughter, granddaughter or great granddaughter very nostalgic and sweet. However, styles change and what my mother wore on her special day may not be for me.

Here we are in 2017. In these enlightened times, very few women stick to any kind of tradition. They find the dress that speaks to them. I have seen some weddings where the bride wears a vintage style gown. But best of all, I have seen some amazing steampunk wedding dresses and I find that to be very cool. My recommendation is, wear whatever you want.

Photos by @ Steampunk Series. Model Arlys Endres

Sources:

http://www.vintageroyalwedding.co.uk/

https://en.wikipedia.org/wiki/Wedding_dress_of_Queen_Victoria (photo, Wikimedia commons)

https://en.wikipedia.org/wiki/Wedding_dress

http://literary-liaisons.com/

The Etiquette of Courtship and Matrimony: with a Complete Guide to the Forms of a Wedding, published in 1852

Cassells Household Guide, New and Revised Edition (4 Vol.) c.1880s [no date]

Check out my steampunk novella, Miss Ione D and the Mayan Marvel (with Vaughn Treude) now available as an illustrated paperback on Amazon.

Ione D – the paperback arrives!

Posted on April 20, 2017 by vltreude

Ione D and the Mayan Marvel

When I got home today, there was a box by our door – our first carton of our new steampunk novel “Miss Ione D and the Mayan Marvel”! As much as I appreciate the convenience of e-books, there’s something about holding the real thing in your hand for the first time. It’s like a newborn baby, except that it doesn’t pee all over you.

Cover photo: Arlys Endres. Illustration by Ben Gill.

Order your copy today from Amazon.com!

My Two Left Feet

Posted on March 19, 2017 by vltreude

by Arlys-Allegra Holloway

The perfect steampunk accessory: original button-up boots from the Victorian era. Photo by Arlys Holloway.

I’m sure you’ve heard the phrase “two left feet” to describe someone who’s awkward or clumsy. Back in the 1800’s, this was, in a way, literally true. As late as the 1850’s, the two shoes in a pair were interchangeable. The owner had to break them in order for them to be wearable. Most shoes and boots at that time came in only two widths, slim and “stout.” Since they were handmade, though, a cobbler could adjust or customize a shoe to fit.

The Victorians were much more comfortable than those of previous eras because shoes were finally being made differently for left and right feet. William Young is credited for perfecting the process in the early 1800s, although it didn’t become the norm until much later.

Around the same time, it became acceptable for women to wear the same kinds of boots that men were wearing. Women’s boots would feature intricate embroidery, and lace of many colors often dyed to match one’s dress or gown. They were made from rubber and leather, and were heeled in a different way than men’s. With scalloped edges, patent leather, and suede, these stylish boots were not the kind their owner would want to wear in mud. Fashion boots still survive to this day as a lasting testimony to the Victorian Era.

Well-bred women took great pride in their feet and wanted them to look as small and dainty as possible. Ladies’ magazines of that time would instruct, “The foot is one of the chief points by which a woman’s social position is judged. If the feet are small, well-shod, and prettily used in walking, they add an additional charm to the appearance, and are an indication of high standing and … of gentle birth.” It was crucial that women’s feet looked as presentable as the rest of their outfit. (I was unable to find the exact source for this quote.)

Footwear has seen many changes over the years, in particular with the introduction of different shoes for left and right feet in the mid-1800’s. This gave way to the elegant styles of the Victorian era, which remain popular to this day.

The Great Glass House

Posted on March 9, 2017 by vltreude

Crystal_Palace_General_view_from_Water_Temple

London’s Crystal Palace, 1854

The Crystal Palace was one of the signature landmarks of Victorian London. It was built to house the Great Exhibition of 1851, which showcased many of the wonders of the Industrial Revolution. After the Exhibition ended it was moved to a park on Sydenham Hill and remained there until it was destroyed by fire in 1936.

The famous dinosaurs!

Besides the Palace, the park featured the famous Hawkins dinosaur statues, which were among the first scholarly recreations of those prehistoric creatures. Of course, many of their conceptions were spectacularly wrong. Unlike the Palace, these statues remain and were extensively restored in 2002.

At the time, the Crystal Palace was the largest glass-walled structure in the world. It must have been a beautiful sight illuminated from within on a foggy London night. Photographs of its interior show it was big enough to enclose living trees. This reminded me of visits to Biosphere 2 in southern Arizona, another large glass structure, and I wondered how the two compared. According to Wikipedia, the Crystal Palace had 772,784 square feet on the ground floor alone. I didn’t take the time to find accurate specs for the biosphere, but an article I found on the design site Curbed estimates it as 2.5 times the size of a football field. If that includes the end zones, that would be 142,000, or less than one-fifth the size of the Palace. That would make the Victorian edifice impressive even by today’s standards.

Arizona’s teeny-tiny Biosphere 2

Therefore, the Crystal Palace seemed like the perfect place for Arlys and I to use as the backdrop for our fictional First Royal Epicurean Exhibition in our upcoming Ione D novel. It makes the perfect backdrop for old-fashioned intrigue and mayhem. Too bad it’s not around anymore! Watch this site for updates and previews of future Ione D and other steampunk adventures, including a sequel to my 2015 novel Fidelio’s Automata.

Photographs from Wikimedia commons.

The Glory of Retro Design

Posted on March 7, 2017 by vltreude

A vintage cover: The Rover Boys On Land and Sea, by Arthur M. Winfield, 1903.

While doing a web search for steampunk art, I came upon a site which displayed a number of pre-made covers for sale to independent authors. I can’t criticize their quality, as they featured high-res photos of attractive models in top hats, goggles, and bustiers. As good-looking as these designs were, they were too modern. They didn’t seem appropriate for a genre that celebrates the late 1800’s and early 1900’s. That kind of cover says 21^st Century, not the Victorian era. That’s why I favor custom covers, in an attempt to simulate the look of an old-fashioned leather-bound volume. I contracted out the designs for the covers of my first two books, but for Ione D, I tackled the job myself. Though I’m no artist, I’m good at the Gimp (the Linux equivalent of Photoshop), so thank Cthullu for my collection of antique books whose copyrights have passed into the public domain. For Miss Ione D and the Mayan Marvel, I adapted a 1918 German-language Artsongbook which I inherited from my grandfather. The attached image is we’d call a “young adult” novel, published in 1903, which I plan to use as the model for the cover of Professor Ione D. and the Epicurean Incident. Watch this site for updates and previews of future Ione D and Fidelio releases.

Vaughn Treude's Sci Fi and Sedition

"[Yet] if he is a man, he must choose his path and act, though every demon of hell should stand howling between him and his goal" — Mojo Mori

Category Archives: Steampunk